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Recorded in front of an enthusiastic Saturday night audience in Berlins Deutschlandhalle, Mack The Knife vividly demonstrates Ella Fitzgeralds unparalleled improvisational vocal artistry. With her regular quartet at the time pianist Paul Smith, guitarist Jim Hall, bassist Alfred Middlebrooks and drummer Gus Johnson the albums swings furiously. While emphasizing as usual the Great American Songbook Gone With The Wind, The Lady Is A Tramp, The Man I Love, Summertime, Too Darn Hot, Misty and Lorelei Mack The Knife culminates in brilliant, extended excursions on Kurt Weills title piece and a breathtaking, scat-singing romp on How High the Moon.
Unplanned as a recording, this performance was serendipitously immortalized when Fitzgeralds manager/producer and visionary Verve label founder Norman Granz allowed WDR, West German Radio, to record and broadcast the performance. The LP was a major hit, peaking at No. 11 on Billboard magazines 200 albums chart and becoming a landmark in the legacy of live jazz vocal artistry the album that, out of many Ella classics, has maintained her undisputed position as the First Lady of Song for more than 80 years since she exploded onto the scene with Chick Webb in 1935.
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