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The music sure didn’t hurt either; even the synth bass sounded perfectly right. Other songs, like the brawling “Blues From a Gun” and the aggro-sneer of “Her Way of Praying,” suggest a new energy on the part of all involved, though likely enough they came across better live in the end with the Reids’ then-touring band of the time. Meanwhile, there are definitely some sharp individual moments: the sudden massive feedback clang during the instrumental break on “Coast to Coast,” the “Sweet Jane”-inspired melody on the nicely moving “Halfway to Crazy,” and the hint of strings on the brief “Drop.”
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